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Luxury fashion house Prada and commercial space company Axiom Space have unveiled the designs for a spacesuit that will be worn for NASA’s Artemis III moon mission.

Unveiled during the International Astronautical Congress in Milan on Wednesday, the mostly white suits feature a cropped torso and stone-gray patches across the elbows and knees. Although conspicuously free of branding or logos, the designs do include red accent lines across the forearms, waist and “portable life system backpacks,” which nod to Prada’s sub-brand, Linea Rossa.

Last night, British actor Andrew Garfield arrived at the London Film Festival premiere of his latest film “We Live in Time” sporting a surprising accessory. No, not the yellow paisley opera scarf — the lifesize cutout of co-star Florence Pugh.

Celebrities have been out in full force this Paris Fashion Week as brands put not only their collections but their VIP pulling power on display.

“You do not lose your feminine qualities just because you are a prime minister,” Margaret Thatcher told British TV doctor Miriam Stoppard in a 1985 interview. “I often wear bows, they are rather softening … (and) rather pretty.”

As the UK’s first female prime minister, Thatcher could be excused for conforming with her male peers and drawing as little attention to her gender as possible. But the so-called Iron Lady understood that politics is a careful dance between soft and hard power — and that clothes were tools that could cushion (even if only visually) the more abrasive sides of an 11-year term defined by conflict with trade unions, domestic power struggles and the Falklands war.

When it comes to bad luck, there are few superstitions as pervasive in Western culture as that of Friday the 13th. Like crossing paths with a black cat and breaking a mirror, the notion of a day that can bring misfortune is deeply embedded — even if believers can’t quite explain why.

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Old Hollywood glamour hits the Venice Film Festival red carpet

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Taylor Swift stuns at the Grammy Awards in a custom Schiapar

The singer, nominated for six awards, including the prestigious Record of the Year for "Anti-Hero," made a grand entrance, captivating fans and earning the title "Mother has arrived.
Taylor Swift's choice of attire for music's grandest night was a striking white corset couture gown from the renowned luxury fashion house of Schiaparelli. The classic Hollywood glamour-inspired ensemble featured a strapless square neckline, a corseted bodice adorned with a ribbon enclosure at the back, a cinched waistline, a gracefully gathered design on the front, a daring thigh-high slit, a form-fitting skirt with a cascading fall, and a mesmerizing floor-sweeping train.

Complementing the gown, Taylor opted for black velvet Opera gloves, black peep-toe pumps, and an assortment of black and silver jewellery, including a watch choker, layered diamond necklaces, and delicate ear studs.